A day given over entirely to film, which suited me fine. The Nathan Fielder picture turned out to be the real event, one of those rare ones that stays with you after the credits, not because of any single scene but because the whole thing is built with such patience. I also picked up tickets for Godzilla Minus One, which should be a different kind of pleasure altogether, big and straightforward where the Fielder film was quiet and strange. Good to have both kinds on the calendar.